"A meditative and expansive album that showcases Girlpool's restless desire for growth... What has remained at the heart of Girlpool's music is Tucker and Tividad's shared resolve to simultaneously revel in and make sense of the chaos of being alive."
"The gravitas in their voice accompanies a newly embodied confidence; where Tucker once sang tentatively, now they sound rooted and sure. Their lyrics remain in the present tense, but their delivery suggests a retrospective candor, an indexing of past selves in order to make room for the self that's still becoming."
"Nobody can stop Cleo Tucker and Harmony Tividad right now."
"Overwhelming and undeniable... Girlpool have more going on musically on What Chaos Is Imaginary than on any of their previous albums."
"One of the greatest modern day indie rock bands."
"Viscerally personal music... A compelling record of transition and triumph."
"Ever-evolving as songwriters has led to each album being a snapshot of a band in the midst of evolution, and What Chaos Is Imaginary is Girlpool's biggest leap yet."
-Consequence of Sound
4/4 - Tustin, CA @ Marty's On Newport *
4/5 - San Diego, CA @ The Casbah *
4/6 - Los Angeles, CA @ The Regent Theater *
4/9 - San Francisco, CA @ The Independent *
4/11 - Portland, OR @ Wonder Ballroom *
4/12 - Seattle, WA @ Neumos *
4/13 - Vancouver, BC @ Biltmore Cabaret *
4/16 - St Paul, MN @ Turf Club *
4/17 - Madison, WI @ High Noon Saloon *
4/18 - Chicago, IL @ Lincoln Hall *
4/19 - Ann Arbor, MI @ Blind Pig *
4/20 - Toronto, ON @ Longboat Hall *
4/21 - Montreal, QC @ Bar Le Ritz *
4/23 - Boston, MA @ Royale *
4/24 - Brooklyn, NY @ Music Hall of Williamsburg *
4/25 - New York, NY @ Bowery Ballroom *
4/26 - Philadelphia, PA @ Underground Arts *
4/27 - Asbury Park, NJ @ Asbury Lanes *
4/28 - Washington, DC @ Black Cat *
4/30 - Durham, NC @ Motorco Music Hall *
5/1 - Athens, GA @ 40 Watt *
5/2 - Birmingham, AL @ Saturn *
5/3 - Baton Rouge, LA @ Spanish Moon *
5/4 - Houston, TX @ Satellite *
5/5 - San Antonio, TX @ Paper Tiger *
5/7 - Austin, TX @ Mohawk *
5/8 - Dallas, TX @ Club Dada *
5/9 - Oklahoma City, OK @ 89th Street Coop *
5/10 - Santa Fe, NM @ Meow Wolf *
5/11 - Tucson, AZ @ 191 Toole *
* w/ Hatchie
Never before has a group's maturation been so transparently attached to the maturation of its members. This is due in large part to the fact that Girlpool came into existence exactly when Girlpool was supposed to come into existence: at the most prolific stage of the digital revolution. Both online and in the flesh, Tividad and Tucker practice radical openness to the point where it may even engender discomfort; this is exactly the point where it becomes clear why theirs' is such a special project: they accept the possibility of discomfort-Chaos-and show you how to figure out why you might feel it. This is achieved through their ability to empathize as best friends and partners in creation, with the intention of making music that provokes.
They met in November of 2013, and released their self-titled EP just 3 months later. Both were playing in multiple bands at the time. Harmony was 18. Cleo was 17.
The growth they have fostered in one another over the years explains the project's disparate discography; each record is a photograph of Girlpool, growing over time. Their roots are a certain shade of punk-organized chaos dressed as earworms. "Where You Sink," one of the first singles off their upcoming record, What Chaos Is Imaginary, gives you an idea of how much things have changed since 2014.
It's not all good.
"I was experiencing a lot of mental health issues," says Tividad of the title. "That song comes from a place of being disconnected from reality. The world is so complicated. It's hard to believe in magic, or that anything exists." Notice the order: magic, then the principle existence of things. A peek into Harmony.
Though it is the 3rd track on Girlpool's newest record, "Where You Sink" was written at a time when the two were living in different states on the East Coast. It proved to be a period of immense change for the both of them; each focused-more than they ever had before-on their solo music.
"Before, we would build our songs together with four hands, from the ground up," says Tucker, referring to the songwriting process that produced the debut EP and 2015's critically acclaimed follow-up, Before The World Was Big. "Our songs used to be intertwined in a different way. We brought our separate experiences to the songs that we crafted together, we valued understanding that they were multidimensional."
Their solo work consistently breathes new life into Girlpool. The two have since become comfortable with the process being more independent, more fluid. They both take part in the production and arrangement of the music, but they've strayed from beginning hand in hand in every instance. They connect somewhere along the way, working together when it feels right.
Discussing the new process, Harmony says, "It's helped me find validity in parts of my writing I found to be unapproachable. I thought my stream-of-consciousness was unsophisticated." There's probably a great pun available re: shedding self-consciousness to release a more sophisticated stream-of-consciousness. In any case, What Chaos is Imaginary-the record and the song-is what the stream looks like when self-consciousness is shed.
Where Harmony embraces chaos, Cleo organizes it. "It's hard for me to feel completion without achieving a vision that I have. I'll imagine the kind of climate I want to create inside a song," says Cleo of his process. "Once I fall in love with the direction, it's getting there that can take time." Finishing a song may take time and even prove to be difficult for him at times, but the product is invariably polished. Considering the near-perfect balance in the songs on What Chaos is Imaginary, their dynamic makes sense. "It took a really long time to record this record. It feels like a photograph of a very transitional time."
What Chaos is Imaginary is a collection of songs unlike any Girlpool songs you've ever heard, exactly what Powerplant was to Before The World Was Big. For the first time, it is clear who wrote what song. 2019 will see drum machines and synthesizers and beautiful/new harmonies and huge guitars and at least one orchestral breakdown by a string octet.
"It was invigorating playing stripped down and raw when Girlpool began. As we change, what gets us there is going to change too."
It's hard to imagine what might follow What Chaos is Imaginary. Girlpool's growth has a steady momentum forward, towards something greater with every stride that they take. By the time the record comes out, they'll be far from here, wherever here is.