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    <title>Cadence Weapon Recent News</title>
    <link>http://www.anti.com/rss/news/</link>
    <description>Cadence Weapon Recent News Headlines</description>
    <language>en-us</language>
    <lastBuildDate>Mon, 06 Sep 2010 08:09:50 -0700</lastBuildDate>
    <webMaster>webmaster@epitaph.com</webMaster>
        
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            <title>New, Digital-only Cadence Weapon - SEPARATION ANXIETY</title>
            <link>http://www.anti.com/news/index/590</link>
            <description>&lt;b&gt;Cadence Weapon shares Separation Anxiety with a Name-Your-Price Digital Release Available NOW!&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Exclusively at &lt;a href=&quot;http://www.CadenceWeaponMusic.com&quot; target=&quot;_blank&quot;&gt;CadenceWeaponMusic.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
The always-grinding Cadence Weapon is back and he continues to firmly establishhis legacy as a pioneer in a passionate crusade to push the rap and electronic music envelope. Separation Anxiety is a new collection of exclusive tracks, remixes, and collaborations available only at &lt;a href=&quot;http://www.CadenceWeaponMusic.com&quot; target=&quot;_blank&quot;&gt;CadenceWeaponMusic.com&lt;/a&gt; for whatever price you deem worthy.&lt;br /&gt;
&lt;br /&gt;
The 20 tracks brought together in a 70-minute collection include the Mixmag exclusive Herve/A-Trak/Cadence Weapon collaboration &quot;Roll With The Winners&quot; and remixes of label-mates The Cansecos and Roots Manuva, and arguably the show-stopper; a remix of The DB Buxton Revue&apos;s &quot;Sex With My Ex&quot;.&lt;br /&gt;
&lt;br /&gt;
Cadence Weapon&apos;s sophomore studio album &quot;Afterparty Babies&quot;, released last spring, received heaps of accolades and closed the year at the top of an impressive pile of &quot;Best of 2008&quot; lists including; Q Magazine, Clash Magazine, Plan B, Exclaim, and CBC Radio 3, while his video &quot;Real Estate&quot; continues to force a smile on the face of economic bailouts. Cadence Weapon has returned home a hero, after a year of engaging performances at festivals and clubs across North America, UK and Europe to release Separation Anxiety.&lt;br /&gt;
&lt;br /&gt;
&quot;Separation Anxiety is a prideful, winning work of brash ambition&quot; – Exclaim!&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;TRACK LISTING&lt;/b&gt;&lt;br /&gt;
1. Roll With The Winners (Prod. Herve &amp; A-Trak ft. Cadence Weapon)&lt;br /&gt;
2. The Cansecos &quot;Rise Up&quot; (Cadence Weapon Mix)&lt;br /&gt;
3. Pretty Girls Make Raves (Prod. Stuffa, Mapei and Sinden)&lt;br /&gt;
4. Mini T.V.&apos;s (Chad Vangaalen Cover, Live ft. Final Fantasy)&lt;br /&gt;
5. Sailboats Are White &quot;SAW&quot; (Cadence Weapon Hi-Speed Edit)&lt;br /&gt;
6. Sally Shapiro &quot;He Keeps Me Alive&quot; (Cadence Weapon Mix)&lt;br /&gt;
7. Bad Graffiti (Prod. Murge)&lt;br /&gt;
8. Roland Pemberton III &quot;Rupture Vers Le Haut&quot;&lt;br /&gt;
9. The Morning After (Prod. C-Sekshun)&lt;br /&gt;
10. RJD2 &quot;Sweet Piece&quot; (Cadence Weapon Ladykiller Remix)&lt;br /&gt;
11. Kennedy Curse&lt;br /&gt;
12. Kid Sister &quot;Damn Girl&quot; (Cadence Weapon Remix)&lt;br /&gt;
13. Shout Out Out Out Out &quot;Coming Home&quot; (&quot;We Do Acid&quot; Demo)&lt;br /&gt;
14. Busdriver &quot;Sun Shower&quot; (Cadence Weapon&apos;s Raleigh Remix)&lt;br /&gt;
15. Junior Bloomsday &quot;Your Perfect Gene&quot; (ft. Cadence Weapon)&lt;br /&gt;
16. The Wet Secrets &quot;The Chinball Wizard (Cadence Weapon Samir-themed Remix)&lt;br /&gt;
17. House Music Medley (bird Peterson, A1 Bassline, The Cansecos)&lt;br /&gt;
18. Super Extra Bonus Party &quot;Radar&quot; (Demo)&lt;br /&gt;
19. Roots Manuva &quot;Buff Nuff&quot; (Cadence Weapon Tuff Mix)&lt;br /&gt;
20. The D.B. Buxton Revue &quot;Sex With My Ex&quot; (Cadence Weapon&apos;s No Sex Mix)</description>
            <pubDate>Fri, 23 Jan 2009 00:01:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/590</guid>
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            <title>ANTI- Records Looks Back at a Stellar 2008 and Hints at 2009 with Free New Sampler</title>
            <link>http://www.anti.com/news/index/566</link>
            <description>&lt;b&gt;Featuring Brand-New Tracks from N.A.S.A, Ramblin Jack Elliott and William Elliott Whitmore&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
ANTI- Records launched its new 08/09 music sampler today on-line via the ANTI- blog and in stores with dozens of participating independent retailers around the country.  In a special promotion running through the holidays, local music retailers will be offering the newest releases from ten of ANTI&apos;s latest and greatest artists for under $10.  With purchase, the buyer will receive a copy of the new ANTI- sampler, or it can be downloaded for free directly from the ANTI- blog.&lt;br /&gt;
&lt;br /&gt;
It is both a look back at a spectacular 2008, which saw releases from artists such as Nick Cave &amp; the Bad Seeds, Jolie Holland and Michael Franti &amp; Spearhead called &quot;career bests,&quot; and a look into the New Year, including the following:&lt;br /&gt;
&lt;br /&gt;
• &lt;b&gt;&quot;Spacious Thoughts&quot; - N.A.S.A (featuring Tom Waits and Kool Keith)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
From masterminds Squeak E Clean (Sam Spiegel) and DJ Zegon (Ze Gonzales) comes the first track from the highly anticipated debut release The Spirit Of Apollo (out Feb 17 2009).  The record - which pairs indie darlings such as Karen O, Santogold, the Cool Kids and M.I.A, with hip hop stars like Kanye West, Chuck D, KRS-One and Ghostface Killah - takes the &quot;less is more&quot; concept and turns it on its head, layering up to four famous voices over vintage Brazilian funk tracks and turntable wizardry.&lt;br /&gt;
&lt;br /&gt;
• &lt;b&gt;&quot;Old Devils&quot; - William Elliott Whimore&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Iowa&apos;s own son of the soil William Elliott Whitmore premieres his first track off his ANTI- debut Animals in the Dark (out Feb 17 2009).  With the old-soul voice of a master country blues balladeer and a devoted following in the punk, folk and indie rock worlds, Will captures the imagination with his raw, populist songs, seemingly untouched by pop culture.&lt;br /&gt;
&lt;br /&gt;
• &lt;b&gt;&quot;Soul Of A Man&quot; - Ramblin&apos; Jack Elliott&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
He stole James Dean&apos;s girl, listened for two days while Jack Keroac read him On the Road and taught Dylan everything he knew, now Ramblin&apos; Jack Elliott is trying something new:  lending his plaintive drawl to Depression-era blues classics.  Produced by Joe Henry (Elvis Costello, Solomon Burke, Bettye LaVette), the new album also features guest appearances from David Hidalgo (Los Lobos, Tom Waits) and Van Dyke Parks.  Out April 7.&lt;br /&gt;
&lt;br /&gt;
2009 will also see new releases from Neko Case, Bob Mould and the legendary Booker T Jones, of Booker T and the MGs fame.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Anti- Records 08/09 Sampler tracklisting:&lt;/b&gt;&lt;br /&gt;
01. &quot;Mexico City&quot; - Jolie Holland&lt;br /&gt;
02. &quot;Pieces Of You&quot; - Islands&lt;br /&gt;
03. &quot;Say Hey (I Love You)&quot; - Michael Franti &amp; Spearhead&lt;br /&gt;
04. &quot;Whispers&quot; - Lyrics Born&lt;br /&gt;
05. &quot;Freedom Highway&quot; - Mavis Staples&lt;br /&gt;
06. &quot;Big Mistake&quot; - Tim Fite&lt;br /&gt;
07. &quot;Rabbit Habits&quot; - Man Man&lt;br /&gt;
08. &quot;Spacious Thoughts&quot; (feat. Tom Waits &amp; Kook Keith) - N.A.S.A.&lt;br /&gt;
09. &quot;DIG, LAZARUS, DIG!!!&quot; - Nick Cave And The Bad Seeds&lt;br /&gt;
10. &quot;Old Devils&quot; - William Elliott Whitmore&lt;br /&gt;
11. &quot;Freedom&quot; - Billy Bragg&lt;br /&gt;
12. &quot;Real Estate&quot; - Cadence Weapon&lt;br /&gt;
13. &quot;This World As We Know It&quot; - Xavier Rudd&lt;br /&gt;
14. &quot;Very Temporary&quot; - Bob Mould&lt;br /&gt;
15. &quot;Friend For Life&quot; - Ersi Arvizu&lt;br /&gt;
16. &quot;New World&quot; - DeVotchKa&lt;br /&gt;
17. &quot;Soul Of A Man&quot; - Ramblin&apos; Jack Elliott&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Participating retailers:&lt;/b&gt;&lt;br /&gt;
STINKWEEDS - Phoenix, AZ&lt;br /&gt;
Zia - Phoenix, AZ&lt;br /&gt;
BOO BOO RECORDS - San Luis Obispo, CA&lt;br /&gt;
Fingerprints - Long Beach, CA&lt;br /&gt;
Lou&apos;s Records - Encinitas, CA&lt;br /&gt;
M-THEORY - San Diego, CA&lt;br /&gt;
Rasputin - San Francisco, CA&lt;br /&gt;
Rhino/Mad Platter - Claremont, CA&lt;br /&gt;
Salzer&apos;s - Ventura, CA&lt;br /&gt;
Streetlight - San Jose, CA&lt;br /&gt;
Twist and Shout - Denver, CO&lt;br /&gt;
EXILE ON MAIN ST - Branford, CT&lt;br /&gt;
Rainbow Books Music - Newark, DE&lt;br /&gt;
CD Connection - Jacksonville, FL&lt;br /&gt;
Central Square - Santa Rosa, FL&lt;br /&gt;
Park Avenue CD - Orlando, FL&lt;br /&gt;
Uncle Sam&apos;s	Miami Beach, FL&lt;br /&gt;
VINYL FEVER - TAMPA - Tampa, FL&lt;br /&gt;
CRIMINAL RECORDS - Atlanta, GA&lt;br /&gt;
CRIMINAL/AURORA - Atlanta, GA&lt;br /&gt;
Record Exchange - Boise, ID&lt;br /&gt;
Indy CD &amp; Vinyl - Indianapolis, IN&lt;br /&gt;
LANDLOCKED MUSIC - Bloomington, IN&lt;br /&gt;
LUNA MUSIC - Indianapolis, IN&lt;br /&gt;
Kief&apos;s - Lawrence, KS&lt;br /&gt;
CD CENTRAL - Lexington, KY&lt;br /&gt;
earX-tacy - Louisville, KY&lt;br /&gt;
Newbury Comics - Boston, MA&lt;br /&gt;
Bull Moose - Portland, ME&lt;br /&gt;
ROCK-A-BILLYS - Utica, MI&lt;br /&gt;
Electric Fetus - Minneapolis, MN&lt;br /&gt;
VINTAGE VINYL - St Louis, MO&lt;br /&gt;
Schoolkids - Raleigh, NC&lt;br /&gt;
Homer&apos;s - Omaha, NE&lt;br /&gt;
Lakeshore Record - Rochester, NY&lt;br /&gt;
Looney Tunes - West Babylon, NY&lt;br /&gt;
Record Archive - Rochester, NY&lt;br /&gt;
CULTURE CLASH - Toledo, OH&lt;br /&gt;
Finders Records - Bowling Green, OH&lt;br /&gt;
Magnolia Thunderpussy - Columbus, OH&lt;br /&gt;
SHAKE IT - Cincinnati, OH&lt;br /&gt;
Guestroom Records - Norman, OK&lt;br /&gt;
Guestroom Records - OKC, OK&lt;br /&gt;
CD World - Eugene, OR&lt;br /&gt;
JACKPOT RECORDS - Portland, OR&lt;br /&gt;
JACKPOT RECORDS - Portland, OR&lt;br /&gt;
Music Millennium - Portland, OR&lt;br /&gt;
Earshot - Greenville, SC&lt;br /&gt;
52.5 - Charleston, SC&lt;br /&gt;
Disc Exchange - Knoxville, TN&lt;br /&gt;
GRIMEY&apos;S - Nashville, TN&lt;br /&gt;
Cactus - Houston, TX&lt;br /&gt;
END OF AN EAR - Austin, TX&lt;br /&gt;
GOOD RECORDS - Dallas, TX&lt;br /&gt;
Waterloo - Austin, TX&lt;br /&gt;
SLOW TRAIN - Salt Lake City, UT&lt;br /&gt;
Plan 9 - Richmond, VA&lt;br /&gt;
Pure Pop - Burlington, VT&lt;br /&gt;
Easy Street - Seattle, WA&lt;br /&gt;
HOT POOP - Walla Walla, WA&lt;br /&gt;
SONIC BOOM - Seattle, WA&lt;br /&gt;
SONIC BOOM - Seattle, WA&lt;br /&gt;
ATOMIC RECORDS - Milwaukee, WI</description>
            <pubDate>Wed, 12 Nov 2008 00:11:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/566</guid>
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            <title>Cadence Weapon&apos;s New Video &quot;Real Estate&quot; a Timely Parody of Tragic Reality</title>
            <link>http://www.anti.com/news/index/559</link>
            <description>&lt;b&gt;Afterparty Babies Canadian Tour Continues Through October&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
While Cadence Weapon (aka Roland Pemberton) wrote the song &quot;Real Estate&quot; before the current financial crisis began rearing its disastrous head, its message is particularly poignant right at this moment.  The new video for &quot;Real Estate&quot; brings home the young performer&apos;s premonition of the financial mess he predicted on his March release, Afterparty Babies.  Dressed to the nines and moving property at alarming rates, the ever-acute Cadence provides some comic, if timely, relief to the ongoing Bailout-palooza in his crushing parody of the misguided occupation of buying and selling.  See the video for &quot;Real Estate&quot; here. &lt;br /&gt;
&lt;br /&gt;
After a whirlwind 2008, marked by the critically acclaimed release of his sophomore album Afterparty Babies, and over 100 performances across North America and Europe – including stops at Lollapalooza, Glastonbury, V-Fest and Roskilde -- Cadence Weapon (aka Roland Pemberton) is back with his first ever headlining tour across Canada.&lt;br /&gt;
&lt;br /&gt;
Since the release of Afterparty Babies in March, Cadence Weapon has been touring non-stop, sharing stages with the likes of Public Enemy, Santogold, Roots Manuva, and Crystal Castles, while still finding time to record new tracks.  Some of the freshest collaborations in music today include Cadence&apos;s recent work with fellow Canadian DJ A-Trak and UK electro-king Hervé is on the cover of the September issue of Mixmag, and all over the blogs. Heard it yet?  &quot;Roll With The Winners.&quot;  Cadence also collaborated this summer on tracks with Freq Nasty, Simian Mobile Disco and Drop The Lime, remixed the new Roots Manuva single &quot;Buff Nuff&quot;, and has recorded a brand new mixtape called Separation Anxiety that will be available exclusively for the upcoming Canadian Tour.&lt;br /&gt;
&lt;br /&gt;
Afterparty Babies Canadian Tour:&lt;br /&gt;
 &lt;br /&gt;
10.09.08    TORONTO Lee&apos;s Palace*&lt;br /&gt;
10.10.08    OTTAWA Babylon*&lt;br /&gt;
10.11.08    MONTREAL Zoobizarre*&lt;br /&gt;
10.12.08    QUEBEC La Ninkasi&lt;br /&gt;
10.16.08    HALIFAX The Marquee#&lt;br /&gt;
10.17.08    CHARLOTTETOWN The Wave&lt;br /&gt;
10.18.08    FREDERICTON The Phoenix&lt;br /&gt;
&lt;br /&gt;
*with special guest Woodhands&lt;br /&gt;
#with Skratch Bastid&lt;br /&gt;
 &lt;br /&gt;
&lt;br /&gt;
Afterparty Babies in the press:&lt;br /&gt;
&lt;br /&gt;
Conclusive proof that at least one music critic can rap - Spin&lt;br /&gt;
&lt;br /&gt;
Aesop Rock meets Girl Talk…this record has all the great elements of both - Filter&lt;br /&gt;
&lt;br /&gt;
He&apos;s the perfect hip-hop hero for the myspace age - The Onion&lt;br /&gt;
&lt;br /&gt;
Pemberton moves towards commercial hip hop with this record while still retaining a delightful underground flavour.  Nas: Eat your words - Observer Music Monthly&lt;br /&gt;
&lt;br /&gt;
His darting intelligence and racing imagination are evident in every line. - Guardian UK&lt;br /&gt;
&lt;br /&gt;
Dense, innovative… with a refreshing lack of respect for convention. - Q Magazine&lt;br /&gt;
&lt;br /&gt;
A dense and abrasive record of astonishing precocity. **** – Uncut  &lt;br /&gt;
&lt;br /&gt;
Underground hip hop&apos;s savior - Dazed &amp; Confused</description>
            <pubDate>Wed, 08 Oct 2008 00:10:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/559</guid>
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            <title>Video Premiere: Cadence Weapon &quot;Unsuccessful Club Nights&quot;</title>
            <link>http://www.anti.com/news/index/499</link>
            <description>Check out Cadence Weapon &apos;s new video for &quot;Unsuccessful Club Nights&quot; off his latest album, &lt;b&gt;&lt;i&gt;Afterparty Babies&lt;/b&gt;&lt;/i&gt;, out now!&lt;br /&gt;
&lt;br /&gt;
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            <pubDate>Fri, 16 May 2008 00:05:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/499</guid>
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            <title>CADENCE WEAPON: Afterparty Babies - out today!</title>
            <link>http://www.anti.com/news/index/446</link>
            <description>Cadence Weapon&apos;s Anti- debut album, &lt;b&gt;&lt;i&gt;Afterparty Babies&lt;/i&gt;&lt;/b&gt;, is out today! Cadence Weapon (born Rollie Pemberton) burst on the scene with his acclaimed debut Breaking Kayfabe, which was awarded &quot;Best Rap Album of 2006&quot; at the Plug Awards and garnered critical praise from both the urban and indie music scenes alike. Mixing electro-tones and clever cultural references and a mad flow, Cadence Weapon steps it up on &lt;b&gt;&lt;i&gt;Afterparty Babies&lt;/i&gt;&lt;/b&gt;. At just 21, he has played with Jurassic 5, Spank Rock and the Go! Team, remixed Lady Sovereign and challenged the standard notions of what goes into constructing an important hip hop artist. &lt;b&gt;&lt;i&gt;Afterparty Babies&lt;/i&gt;&lt;/b&gt; is a 14 track, 58 minute dance rap party epic, dedicated to &quot;all the accidents out there&quot;. Head over to &lt;a href=&quot;http://www.amazon.com/Afterparty-Babies-Cadence-Weapon/dp/B0012IWHPA/ref=pd_bbs_sr_2?ie=UTF8&amp;s=music&amp;qid=1204076633&amp;sr=8-2&quot; target=&quot;_blank&quot;&gt;AMAZON.COM&lt;/a&gt; now to buy it!</description>
            <pubDate>Tue, 04 Mar 2008 00:03:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/446</guid>
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            <title>Watch Cadence Weapon on MTV Canada</title>
            <link>http://www.anti.com/news/index/444</link>
            <description>Head over to &lt;a href=&quot;http://www.mtv.ca/?id=1582358&quot; target=&quot;_blank&quot;&gt;Mtv.ca&lt;/a&gt; and click play on the video player to check out Cadence killer performance on Mtv Canada today.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.mtv.ca/?id=1582358&quot; target=&quot;_blank&quot;&gt;Click here now!&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;i&gt;Afterparty Babies&lt;/i&gt;&lt;/b&gt;, in stores March 4th!</description>
            <pubDate>Thu, 28 Feb 2008 00:02:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/444</guid>
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            <title>Premiere: Cadence Weapon: &quot;In Search of the Youth Crew&quot; [MP3/Stream]</title>
            <link>http://www.anti.com/news/index/410</link>
            <description>By Marc Hogan&lt;br /&gt;
Pitchforkmedia.com&lt;br /&gt;
&lt;br /&gt;
Rollie Pemberton&apos;s first proper album as Cadence Weapon, 2005&apos;s Breaking Kayfabe, stood out for its jarring electro clatter and tangled, detail-rich rhymes. Two years later, the mainstream of hip-hop has moved in the Edmonton-based MC&apos;s direction, at least production-wise. Consider: Pemberton (full disclosure: a former Pitchfork writer) mashed up Rick Ross&apos;s &quot;Hustlin&apos;&quot; and Simian Mobile Disco&apos;s &quot;Hustler&quot; before A-Trak released his own combination of same. That was before A-Trak inspired Kanye West to issue a single sampling Daft Punk, before the juke-house of Dude &apos;N Em&apos;s &quot;Watch My Feet&quot; and house-thwacked r&amp;b of Rihanna&apos;s &quot;Don&apos;t Stop the Music&quot;. In short, Cadence Weapon&apos;s beats anticipated above-ground hip-hop producers&apos; current fetish for sleek, European-style dance music. &lt;br /&gt;
&lt;br /&gt;
The fragmented electronic loops of &quot;In Search of the Youth Group&quot; remain harsher and busier than what the Top 40 typically has to offer, though a simple, steady thud underlies the synth shimmer and chopped-up backing vocals. Pemberton&apos;s dense wordplay and rapidfire flow, meanwhile, are still too nerdily labyrinthine to be mistaken for anything but indie rap. He quotes Dylan, pokes Adam&apos;s rib, and juggles the word &quot;drop&quot; en route to disavowing the epithet &quot;hip-hop hipsters&quot;: &quot;Cover the phrase and keep it in your locket.&quot; OK, deal. It&apos;ll take a lyric sheet (or better headphones, maybe?) to decode all of Pemberton&apos;s hard-charging verses, but &quot;In Search of the Youth Group&quot;-- the first studio track we&apos;ve heard from Cadence Weapon&apos;s forthcoming sophomore album (and Anti-/Epitaph debut) Afterparty Babies-- finds the underground rapper in good position to attract still greater attention. &lt;br /&gt;
&lt;br /&gt;
Oh, and in case you were wondering: Pemberton&apos;s mother wouldn&apos;t let him play with Barbies. &lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.pitchforkmedia.com/article/download/47211-cadence-weapon-in-search-of-the-youth-crew-mp3stream&quot;&gt;CLICK HERE TO GO TO PITCHFORK AND LISTEN TO THE TRACK.&lt;/a&gt;</description>
            <pubDate>Tue, 27 Nov 2007 00:11:00 -0800</pubDate>
            <guid>http://www.anti.com/news/index/410</guid>
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            <title>Porter Wagoner, 1927-2007</title>
            <link>http://www.anti.com/news/index/406</link>
            <description>&lt;b&gt;Country Star Porter Wagoner Dies&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
(NASHVILLE, Tenn.) — Porter Wagoner was known for a string of country hits in the &apos;60s, perennial appearances at the Grand Ole Opry in his trademark rhinestone suits, and for launching the career of Dolly Parton.&lt;br /&gt;
&lt;br /&gt;
Like many older performers, his star had faded in recent years. But his death from lung cancer Sunday, at 80, came only after a remarkable late-career revival that won him a new generation of fans.&lt;br /&gt;
&lt;br /&gt;
The Missouri-born Wagoner signed with RCA Records in 1955 and joined the Opry in 1957, &quot;the greatest place in the world to have a career in country music,&quot; he said in 1997. His showmanship, suits and pompadoured hair made him famous.&lt;br /&gt;
&lt;br /&gt;
He had his own syndicated TV show, &quot;The Porter Wagoner Show,&quot; for 21 years, beginning in 1960. It was one of the first syndicated shows to come out of Nashville and set a pattern for many others.&lt;br /&gt;
&lt;br /&gt;
&quot;Some shows are mechanical, but ours was not polished and slick,&quot; he said in 1982. &lt;br /&gt;
&lt;br /&gt;
Among his hits, many of which he wrote or co-wrote, were &quot;Carroll County Accident,&quot; &quot;A Satisfied Mind,&quot; &quot;Company&apos;s Comin&apos;,&quot; &quot;Skid Row Joe,&quot; &quot;Misery Loves Company&quot; and &quot;Green Green Grass of Home.&quot;&lt;br /&gt;
&lt;br /&gt;
The songs often told stories of tragedy or despair. In &quot;Carroll County Accident,&quot; a married man having an affair is killed in a car crash; &quot;Skid Row Joe&quot; deals with a once-famous singer who&apos;s lost everything. &lt;br /&gt;
&lt;br /&gt;
In 2002, he was elected to the Country Music Hall of Fame.&lt;br /&gt;
&lt;br /&gt;
In May, after years without a recording contract, he signed with ANTI- records, an eclectic Los Angeles label best known for alt-rock acts like Tom Waits, Nick Cave and Neko Case.&lt;br /&gt;
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Wagoner&apos;s final album, &quot;Wagonmaster,&quot; was released in June and earned him some of the best reviews of his career. Over the summer, he was the opening act for the influential rock duo White Stripes at a sold-out show at New York&apos;s Madison Square Garden.&lt;br /&gt;
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&quot;The young people I met backstage, some of them were 20 years old. They wanted to get my autograph and tell me they really liked me,&quot; Porter said with tears in his eyes the day after the New York show. &quot;If only they knew how that made me feel — like a new breath of fresh air.&quot;&lt;br /&gt;
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To many music fans, Wagoner was best known as the man who boosted Parton&apos;s career. He had hired the 21-year-old singer as his duet partner in 1967, when she was just beginning to gain notice through songs such as &quot;Dumb Blonde.&quot;&lt;br /&gt;
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They were the Country Music Association&apos;s duo of the year in 1970 and 1971, recording hit duets including &quot;The Last Thing on My Mind.&quot;&lt;br /&gt;
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Parton&apos;s solo country records, such as her autobiographical &quot;Coat of Many Colors,&quot; also began climbing the charts in the early 1970s. She wrote the pop standard &quot;I Will Always Love You&quot; in 1973 after Wagoner suggested she shift from story songs to focus on love songs.&lt;br /&gt;
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The two quit singing duets in 1974 and she went on to wide stardom with pop hits and movies such as &quot;9 to 5,&quot; whose theme song was also a hit for her.&lt;br /&gt;
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Wagoner sued her for $3 million in assets, but they settled out of court in 1980. He said later they were always friendly, &quot;but it&apos;s a fact that when you&apos;re involved with attorneys and companies that have them on retainer, it makes a different story.&quot;&lt;br /&gt;
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At a charity roast for Wagoner in 1995, she explained the breakup this way: &quot;We split over creative differences. I was creative, and Porter was different.&quot;&lt;br /&gt;
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He said in a 1982 Associated Press interview that his show &quot;was a training ground for her; she learned a great deal and I exposed her to very important people and the country music fans.&quot;&lt;br /&gt;
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She was present at the ceremony in May 2007 honoring Wagoner on his silver anniversary with the Opry. At the time, he called Parton &quot;one of my best friends today.&quot; She also visited him in the hospital as he battled cancer.&lt;br /&gt;
Wagoner, who had survived an abdominal aneurysm in 2006, was hospitalized again this month and his publicist disclosed he had lung cancer. He died at 8:25 p.m. CDT Sunday in a Nashville hospice, said Darlene Bieber, a spokeswoman for the Opry.&lt;br /&gt;
&lt;br /&gt;
Country singer and Opry member Dierks Bentley visited Wagoner in the hospice over the weekend and said Wagoner led them in prayer, thanking God for his friends, his family and the Grand Ole Opry.&lt;br /&gt;
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&quot;The loss of Porter is a great loss for the Grand Ole Opry and for country music, and personally it is a great loss of a friend I was really just getting to know,&quot; Bentley said. &quot;I feel blessed for the time I had with him.&quot;&lt;br /&gt;
&lt;br /&gt;
Pete Fisher, vice president and general manager of the Opry, said the Opry family of musicians and performers was deeply saddened by the news. &quot;His passion for the Opry and all of country music was truly immeasurable,&quot; Fisher said.&lt;br /&gt;
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Wagoner was born in West Plains, Mo., and became known as &quot;The Thin Man From West Plains&quot; because of his lanky frame. He recalled that he spent hours as a child pretending to be an Opry performer, using a tree stump as a stage.&lt;br /&gt;
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He started in radio, then became a regular on the &quot;Ozark Jubilee,&quot; one of the first televised national country music shows. On the Opry since 1957, he joined Roy Acuff and other onetime idols.&lt;br /&gt;
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At one point his wardrobe included more than 60 handmade rhinestone suits.&lt;br /&gt;
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&quot;Rhinestone suits are just beautiful under the lights,&quot; he said. &quot;They&apos;ve become a big part of my career. I get more compliments on my outfits than any other entertainer — except for Liberace.&quot;&lt;br /&gt;
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While he continued with the Opry, and even had a small part in the 1982 movie &quot;Honky Tonk Man&quot; starring Clint Eastwood, his recording career dried up in the 1980s — until his return this year.&lt;br /&gt;
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&quot;I stopped making records because I didn&apos;t like the way they were wanting me to record,&quot; he said. &quot;When RCA dropped me from the label, I didn&apos;t really care about making records for another label because I didn&apos;t have any say in what they would release and how they would make the records and so forth.&quot;&lt;br /&gt;
&lt;br /&gt;
By AP/John Gerome&lt;br /&gt;
www.time.com</description>
            <pubDate>Mon, 29 Oct 2007 00:10:00 -0700</pubDate>
            <guid>http://www.anti.com/news/index/406</guid>
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